It took Jaar’s artistic eye to bring attention to the fact that approximately 15,000 people sleep on the streets every night in Montreal, one of the wealthiest and most frigid cities in North America. Take for example the project Lights in the City by Alfredo Jaar. ![]() The interventions are pointed, purposely, and micro, but have a huge splash. ![]() The diverse backgrounds of artists such as Reyes and Jaar, who is now based in New York but fled Chile in the 1980s to escape the Pinochet regime, help them to address various problems on a multiple levels. Reyes lists social dynamics and interaction as a key material in his work: “Works of art which are not finished until there is some input from the public.” He has worked with the Guggenheim Museum in New York and in diverse locations across the United States, Europe and Latin America. Works such as these address a range of social and environmental issues. Pedro Reyes works with a plethora of media-from a TV puppet series, whose protagonists are Karl Marx and Adam Smith, to constructing pyramidal, vertical parks in Mexico City. “I often think of what I do, that if it wasn’t called art, it would still be relevant,” explains Reyes. A great body of their works incorporates an element of social responsibility. These are individuals who have been trained in arts and architecture and enjoyed international recognition. The works of artists and architects such as Alfredo Jaar and Pedro Reyes illustrate examples of cultural agency and arts interventionism. “These kinds of interventions have existed for along time and what we need is to raise awareness so this looks like a possible future activity for more people.” “You can’t be a citizen unless you can put things together in new ways, imagine new possibilities,” says Harvard Professor Doris Sommer, the founder of Cultural Agents. Examples of this agency are being collected by Cultural Agents, an initiative at Harvard University that recognizes the work of extraordinary artists and organizations around the world that employ art to affect change. “All spaces are open to innovation in the sense that I don’t think there is one single space of human activity that cannot be re-imagined.”Īrt provides the perfect test kitchen for the solving the world’s troubles, and artists around the world are beginning to harness (or release) the energy of art into the world of activism and social change. “You as an artist are expected to come up with your own rules and your own definition of what art is,” describes Pedro Reyes, an artist from Mexico City. What would it look like? What would we do differently? And then instead of crowding your mind with the clutter of institutions and what is and is not possible, employ some of that finger-painting recklessness they taught in first grade. “The system is failing.” “We just can’t go on like this anymore.” So imagine this. DUE TO THE REAL-TIME CHANGES IN PRODUCT BATCHES AND SUPPLY FACTORS, IN ORDER TO PROVIDE ACCURATE INFORMATION ON PRODUCT INFORMATION, SPECIFICATIONS, AND PRODUCT CHARACTERISTICS, NOTHING MAY ADJUST AND REVISE THE TEXT DESCRIPTIONS, PICTURE EFFECTS, AND OTHER CONTENT ON THE ABOVE PAGES IN REAL TIME TO MATCH THE REALITY OF THE PRODUCT PERFORMANCE, SPECIFICATIONS, INDEX, PARTS AND OTHER INFORMATION IN THE EVENT THAT PAGE MODIFICATIONS AND ADJUSTMENTS ARE NECESSARY, NO SPECIAL NOTICE WILL BE GIVEN.You hear the phrases constantly.ACTUAL PERFORMANCE MAY VARY DUE TO INDIVIDUAL PRODUCT DIFFERENCES, SOFTWARE VERSIONS, USE CONDITIONS AND ENVIRONMENTAL FACTORS. ![]() FIGURES PROVIDED ARE THEORETICAL, OBTAINED UNDER A CONTROLLED TEST ENVIRONMENT AND PROVIDED BY THE SUPPLIER OR THE NOTHING LABORATORY.THE ACTUAL RESULTS (INCLUDING BUT NOT LIMITED TO APPEARANCE, COLOUR AND SIZE) AND THE SCREEN DISPLAY CONTENT (INCLUDING BUT NOT LIMITED TO BACKGROUND, UI, AND PICTURE) MAY VARY. ALL PRODUCT PICTURES AND CONTENT ARE FOR ILLUSTRATIVE PURPOSES ONLY.
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